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VSTLennarDigital Sylenth1 v3.073 Incl Patched and Keygen REPACK-R2R
Sylenth1 is a polyphonic virtual analog synthesizer. It has four unison oscillators which use an "innovate" synthesis technique that allows the generation of many simultaneous high-quality waveforms in realtime, using only minimal amounts of CPU resources. It also features two "analog sounding" filter sections, which can be taken way past the point of self-oscillation. These filters incorporate several non-linear saturation stages to produce harmonically rich sounds. Sylenth1's extensive modulation options offer possibilities to sculpture the sound, and it has a set of six built-in mastering sound-effects
Features:
4 band-limited unison oscillators in full stereo, each of which can generate 8 voices per note. This allows a total of 32 simultaneous voices for every note played, producing rich and complex sounds.
2 "analog-sounding" 4-stage stereo filters per note. Each filter contains 5 independent non-linear saturation functions. The filters support selectable low-pass, band-pass and high-pass modes with 12dB or 24dB attenuation.
16 Notes of polyphony, which adds up to a total of 512 simultaneous oscillator voices and 32 filters in realtime.
4 ADSR envelope generators per note, which allow sharp attack and release.
2 Low Frequency Oscillators with 11 different waveforms each.
16 Modulation slots with 24 different selectable modulation parameters each.
Easy to use built-in master effects section consisting of an arpeggiator and 7 sound effects: distortion, phaser, chorus, equalizer, delay, reverb and compression.
Arpeggiator with built-in step sequencer, 10 different melodic modes, adjustable pitch, velocity and hold settings. Outputs Step Velocity as a modulation source.
4-Stage stereo chorus, with 2x oversampling, adjustable delay time, depth, rate and feedback for flanging effects.
Five different types of distortion in full stereo, with 4x oversampling to minimize aliasing artifacts.
Equalizer with bass and treble adjustment by frequency and amplification.
6-Stage stereo phaser, with 2x oversampling, an embedded LFO, feedback and frequency spread adjustment.
Delay module with low- and high-pass filters, unique echo smearing function, ping-pong mode with stereo spreading, independent left and right delay time and adjustable stereo width.
Smooth reverb with adjustable pre-delay, damp, size and stereo width.
Stereo compressor with attack, release, threshold and ratio settings.
Heavily optimized code using high-performance SSE processor instructions.
Easy to use user-interface.
Fully controllable by MIDI. Knobs can be simply assigned to MIDI CCs using the MIDI learn function.
Sync mode for syncing LFO and delay parameters to host tempo. 2 Modes of portamento sliding, which will slide both velocity and pitch parameters in polyphonic or monophonic mode.
Sylenth1 is a polyphonic virtual analog synthesizer. It has four unison oscillators which use an "innovate" synthesis technique that allows the generation of many simultaneous high-quality waveforms in realtime, using only minimal amounts of CPU resources. It also features two "analog sounding" filter sections, which can be taken way past the point of self-oscillation. These filters incorporate several non-linear saturation stages to produce harmonically rich sounds. Sylenth1's extensive modulation options offer possibilities to sculpture the sound, and it has a set of six built-in mastering sound-effects
Features:
4 band-limited unison oscillators in full stereo, each of which can generate 8 voices per note. This allows a total of 32 simultaneous voices for every note played, producing rich and complex sounds.
2 "analog-sounding" 4-stage stereo filters per note. Each filter contains 5 independent non-linear saturation functions. The filters support selectable low-pass, band-pass and high-pass modes with 12dB or 24dB attenuation.
16 Notes of polyphony, which adds up to a total of 512 simultaneous oscillator voices and 32 filters in realtime.
4 ADSR envelope generators per note, which allow sharp attack and release.
2 Low Frequency Oscillators with 11 different waveforms each.
16 Modulation slots with 24 different selectable modulation parameters each.
Easy to use built-in master effects section consisting of an arpeggiator and 7 sound effects: distortion, phaser, chorus, equalizer, delay, reverb and compression.
Arpeggiator with built-in step sequencer, 10 different melodic modes, adjustable pitch, velocity and hold settings. Outputs Step Velocity as a modulation source.
4-Stage stereo chorus, with 2x oversampling, adjustable delay time, depth, rate and feedback for flanging effects.
Five different types of distortion in full stereo, with 4x oversampling to minimize aliasing artifacts.
Equalizer with bass and treble adjustment by frequency and amplification.
6-Stage stereo phaser, with 2x oversampling, an embedded LFO, feedback and frequency spread adjustment.
Delay module with low- and high-pass filters, unique echo smearing function, ping-pong mode with stereo spreading, independent left and right delay time and adjustable stereo width.
Smooth reverb with adjustable pre-delay, damp, size and stereo width.
Stereo compressor with attack, release, threshold and ratio settings.
Heavily optimized code using high-performance SSE processor instructions.
Easy to use user-interface.
Fully controllable by MIDI. Knobs can be simply assigned to MIDI CCs using the MIDI learn function.
Sync mode for syncing LFO and delay parameters to host tempo. 2 Modes of portamento sliding, which will slide both velocity and pitch parameters in polyphonic or monophonic mode.
Sylenth1 is a polyphonic virtual analog synthesizer. It has four unison oscillators which use an "innovate" synthesis technique that allows the generation of many simultaneous high-quality waveforms in realtime, using only minimal amounts of CPU resources. It also features two "analog sounding" filter sections, which can be taken way past the point of self-oscillation. These filters incorporate several non-linear saturation stages to produce harmonically rich sounds. Sylenth1's extensive modulation options offer possibilities to sculpture the sound, and it has a set of six built-in mastering sound-effects
Features:
4 band-limited unison oscillators in full stereo, each of which can generate 8 voices per note. This allows a total of 32 simultaneous voices for every note played, producing rich and complex sounds.
2 "analog-sounding" 4-stage stereo filters per note. Each filter contains 5 independent non-linear saturation functions. The filters support selectable low-pass, band-pass and high-pass modes with 12dB or 24dB attenuation.
16 Notes of polyphony, which adds up to a total of 512 simultaneous oscillator voices and 32 filters in realtime.
4 ADSR envelope generators per note, which allow sharp attack and release.
2 Low Frequency Oscillators with 11 different waveforms each.
16 Modulation slots with 24 different selectable modulation parameters each.
Easy to use built-in master effects section consisting of an arpeggiator and 7 sound effects: distortion, phaser, chorus, equalizer, delay, reverb and compression.
Arpeggiator with built-in step sequencer, 10 different melodic modes, adjustable pitch, velocity and hold settings. Outputs Step Velocity as a modulation source.
4-Stage stereo chorus, with 2x oversampling, adjustable delay time, depth, rate and feedback for flanging effects.
Five different types of distortion in full stereo, with 4x oversampling to minimize aliasing artifacts.
Equalizer with bass and treble adjustment by frequency and amplification.
6-Stage stereo phaser, with 2x oversampling, an embedded LFO, feedback and frequency spread adjustment.
Delay module with low- and high-pass filters, unique echo smearing function, ping-pong mode with stereo spreading, independent left and right delay time and adjustable stereo width.
Smooth reverb with adjustable pre-delay, damp, size and stereo width.
Stereo compressor with attack, release, threshold and ratio settings.
Heavily optimized code using high-performance SSE processor instructions.
Easy to use user-interface.
Fully controllable by MIDI. Knobs can be simply assigned to MIDI CCs using the MIDI learn function.
Sync mode for syncing LFO and delay parameters to host tempo. 2 Modes of portamento sliding, which will slide both velocity and pitch parameters in polyphonic or monophonic mode.
Sylenth1 is a polyphonic virtual analog synthesizer. It has four unison oscillators which use an "innovate" synthesis technique that allows the generation of many simultaneous high-quality waveforms in realtime, using only minimal amounts of CPU resources. It also features two "analog sounding" filter sections, which can be taken way past the point of self-oscillation. These filters incorporate several non-linear saturation stages to produce harmonically rich sounds. Sylenth1's extensive modulation options offer possibilities to sculpture the sound, and it has a set of six built-in mastering sound-effects
Features:
4 band-limited unison oscillators in full stereo, each of which can generate 8 voices per note. This allows a total of 32 simultaneous voices for every note played, producing rich and complex sounds.
2 "analog-sounding" 4-stage stereo filters per note. Each filter contains 5 independent non-linear saturation functions. The filters support selectable low-pass, band-pass and high-pass modes with 12dB or 24dB attenuation.
16 Notes of polyphony, which adds up to a total of 512 simultaneous oscillator voices and 32 filters in realtime.
4 ADSR envelope generators per note, which allow sharp attack and release.
2 Low Frequency Oscillators with 11 different waveforms each.
16 Modulation slots with 24 different selectable modulation parameters each.
Easy to use built-in master effects section consisting of an arpeggiator and 7 sound effects: distortion, phaser, chorus, equalizer, delay, reverb and compression.
Arpeggiator with built-in step sequencer, 10 different melodic modes, adjustable pitch, velocity and hold settings. Outputs Step Velocity as a modulation source.
4-Stage stereo chorus, with 2x oversampling, adjustable delay time, depth, rate and feedback for flanging effects.
Five different types of distortion in full stereo, with 4x oversampling to minimize aliasing artifacts.
Equalizer with bass and treble adjustment by frequency and amplification.
6-Stage stereo phaser, with 2x oversampling, an embedded LFO, feedback and frequency spread adjustment.
Delay module with low- and high-pass filters, unique echo smearing function, ping-pong mode with stereo spreading, independent left and right delay time and adjustable stereo width.
Smooth reverb with adjustable pre-delay, damp, size and stereo width.
Stereo compressor with attack, release, threshold and ratio settings.
Heavily optimized code using high-performance SSE processor instructions.
Easy to use user-interface.
Fully controllable by MIDI. Knobs can be simply assigned to MIDI CCs using the MIDI learn function.
Sync mode for syncing LFO and delay parameters to host tempo. 2 Modes of portamento sliding, which will slide both velocity and pitch parameters in polyphonic or monophonic mode.
Sylenth1 est un synthétiseur analogique virtuel polyphonique. Il dispose de quatre oscillateurs à l'unisson utilisant une technique de synthèse innovante permettant de générer simultanément de nombreuses formes d'onde de haute qualité en temps réel, en utilisant un minimum de ressources processeur. Il dispose également de deux sections de filtrage analogiques, capables de dépasser largement le point d'auto-oscillation. Ces filtres intègrent plusieurs étages de saturation non linéaires pour produire des sons riches en harmoniques. Les nombreuses options de modulation du Sylenth1 offrent des possibilités de sculpture sonore, et il intègre six effets sonores de mastering.
Caractéristiques:
4 oscillateurs à l'unisson à bande limitée en stéréo, chacun pouvant générer 8 voix par note. Cela permet d'obtenir 32 voix simultanées pour chaque note jouée, produisant des sons riches et complexes.
Deux filtres stéréo analogiques à 4 niveaux par note. Chaque filtre comprend 5 fonctions de saturation non linéaires indépendantes. Les filtres prennent en charge les modes passe-bas, passe-bande et passe-haut sélectionnables avec une atténuation de 12 dB ou 24 dB.
16 notes de polyphonie, ce qui représente un total de 512 voix d'oscillateur simultanées et 32 filtres en temps réel.
4 générateurs d'enveloppe ADSR par note, qui permettent une attaque et un relâchement nets.
2 oscillateurs basse fréquence avec 11 formes d'onde différentes chacun.
16 emplacements de modulation avec 24 paramètres de modulation sélectionnables différents chacun.
Section d'effets maîtres intégrée facile à utiliser composée d'un arpégiateur et de 7 effets sonores : distorsion, phaser, chorus, égaliseur, delay, réverbération et compression.
Arpégiateur avec séquenceur pas à pas intégré, 10 modes mélodiques différents, hauteur, vélocité et maintien réglables. Génération de la vélocité pas à pas comme source de modulation.
Chorus stéréo à 4 étages, avec suréchantillonnage 2x, temps de retard réglable, profondeur, taux et rétroaction pour les effets de flanger.
Cinq types de distorsion différents en stéréo complète, avec suréchantillonnage 4x pour minimiser les artefacts d'aliasing.
Égaliseur avec réglage des basses et des aigus par fréquence et amplification.
Phaser stéréo à 6 étages, avec suréchantillonnage 2x, un LFO intégré, un retour et un réglage de la répartition des fréquences.
Module de retard avec filtres passe-bas et passe-haut, fonction unique de maculage d'écho, mode ping-pong avec propagation stéréo, temps de retard gauche et droit indépendants et largeur stéréo réglable.
Réverbération douce avec pré-délai, amortissement, taille et largeur stéréo réglables.
Compresseur stéréo avec réglages d'attaque, de relâchement, de seuil et de rapport.
Code fortement optimisé utilisant des instructions de processeur SSE hautes performances.
Interface utilisateur facile à utiliser.
Entièrement contrôlable par MIDI. Les boutons peuvent être facilement assignés aux CC MIDI grâce à la fonction d'apprentissage MIDI.
Mode de synchronisation pour synchroniser les paramètres LFO et delay avec le tempo de l'hôte. 2 modes de glissement portamento, qui feront glisser à la fois les paramètres de vélocité et de hauteur en mode polyphonique ou monophonique.
